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Love's Work (New York Review Books Classics)

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Review

“This beautiful memoir comes right from a genuinely thoughtful heart. It is good to find that philosophizing can offer its age-old consolations so present tensely.”  —Elisabeth Young-Bruehl “In its emphasis on the work of living, suffering, and loving, this is a masterpiece of the autobiographer’s art, intense and rationally decorous at the same time.”  —Edward Said“This is not a pastel reverie, but a work in which the author, an English philosopher, feminist, and Marxist, not only bares her soul but carefully dissects it…Rose develops by contrast her notion of love's work: the obligation to go on thinking and caring in spite of the certainty of physical and moral defeat. Gillian Rose died shortly after completing this rigorous and lyrical book.” —The Boston Review“Powerful…a miracle.” —The New York Times Book Review“Intriguing.” —Boston Globe“Sears the page it occupies.” —Philadelphia Inquirer“Extraordinary.” —Mirabella“An autobiography of astonishing elegance and concision, it is also deeply lyrical; a love song and a work song.” —Michael Wood“This beautiful memoir comes right from a genuinely thoughtful heart. It is good to find that philosophizing can offer its age-old consolations so present tensely.” —Elisabeth Young Bruehl“In its emphasis on the work of living, suffering, and loving, this is a masterpiece of the autobiographer’s art, intense and rationally decorous at the same time.” —Edward Said“Magnificent…Makes whatever else has been written on the deepest issues of human life by the philosophers of our time seem intolerably abstract and even frivolous.” —Arthur Danto“This small book contains multitudes...It provokes, inspires, and illuminates more profoundly than many a bulky volume, and it delivers what its title promises, a new allegory about love.” —Marina Warner, London Review of Books“Heartrendingly beautiful.” —The Times (London)“A poetic and highly intellectual memoir that encourages us to read the mare's nest of grotesqueries that is our world of pain, illness, and trauma as a birthing-ground for the complex beauty of human relationships.” —Kirkus Reviews “In a memoir by turns brilliant and exasperating, Rose...travels between the adjoining territories of love and death after being diagnosed with-and receiving brutal and ambiguously effective treatment for-abdominal cancer...It cuts to the quick.“ —Publishers Weekly “Part intellectual coming-of-age tale and part spiritual memoir, Rose's search for the soul takes her on a wildly dizzying ride through despair and hope, sickness and healing, love and death.” —Library Journal“I struggle to think of a finer, more rewarding short autobiography than this. Gillian Rose, professor of social and political thought at Warwick University, and dying of cancer at the age of 48, managed to complete and publish this before her time was up.” – Nicholas Lezard, The Guardian  

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About the Author

Gillian Rose (1947–1995), who is now recognized as one of the most important and influential critical thinkers of her time, was a British philosopher and writer. For many years she taught at Sussex University, drawing large numbers of research students, before she accepted a chair in social and political thought at Warwick University. Her major works, which ranged from Continental philosophy to Judaism, include The Melancholy Science, Hegel Contra Sociology, Dialectic of Nihilism, The Broken Middle: Out of Our Ancient Society, Judaism and Modernity, Mourning Becomes the Law, and Paradiso.  Michael Wood teaches at Princeton and is the author, most recently, of Yeats and Violence.

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Product details

Series: New York Review Books Classics

Paperback: 176 pages

Publisher: NYRB Classics; Main edition (May 31, 2011)

Language: English

ISBN-10: 1590173651

ISBN-13: 978-1590173657

Product Dimensions:

5 x 0.4 x 8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#69,673 in Books (See Top 100 in Books)

"Matured by love, practised in the grief of its interminable exercise, I find myself back at the beginning."Sadly, Gillian Rose was not at the beginning but at the end: she died of brain cancer shortly after writing those words. With or without that knowledge, the reader experiences her voice as nobly heartbroken: life is permeated with sadness; to live is to lose, in the end, everything.But despair not! Rose was, after all, a working philosopher, and philosophy, she writes, offers real consolation in the face of life's losses, not unlike, in its hopefulness, the lips of the beloved. Among her ambitions in Love's Work is to offer a scathing defense of philosophy against postmodernism, which, she says, "renounces the modern commitment to reason." The postmodernist impulse to blame reason for the Holocaust, for example, demonstrates an inability "to perceive the difference between thought and being, thought and action." That inability represents a real threat to the future of civilization:"[Postmodernists] proceed as if to terminate philosophy is to dissolve the difficulty of acknowledging conflict and of staking oneself within it. To destroy philosophy, to abolish or to supersede critical, self-conscious reason, would leave us resourceless to know the difference between fantasy and actuality, to discern the distortion between ideas and their realisation. It would prevent the process of learning, the corrigibility of experience. The ill-will towards philosophy misunderstands the authority of reason, which is not the mirror of the dogma of superstition, but risk."And it's there, at risk, that Rose's link between philosophy and love becomes clear. Both thinking and loving are risks; we undertake them with no guarantee of success, and often at great personal cost. But in the end they are what is worth doing. They represent the fundamental work of life.So Love's Work as an elegy to labor. With equal fervor it celebrates the labor of the mind and the labor of the body. In love, these two undertakings come together. To love is to think with the body, to caress with the mind. This extraordinary book, which alternates between treatise, polemic, memoir, and eulogy, is an act of love, and concerns itself with what most matters in life, and nothing else.

Gillian Rose's auto-biographical journey is inspiring, passionate, and erotic at times. Sometimes her intelligent writing escapes my ready comprehension and I have to slow down my pace and study some passages for bit, but this just makes the reading that much more rewarding. But I can understand why some members of my family were disinterested in it, and I wouldn't recommend this book to some friends.However, this book gave me a lot of heated inspiration for some poetry of my own, and I've looked into some of the philosophical stand points that Rose worked on. This book has slightly enriched my life, if that makes sense

Devastating and beautiful

In summary I would describe this memoir as mystical, philosophical and earthy. It is also, unfortunately, humorless and overly intense.The first part of this philosophical memoir is an examination of: events in the author's childhood, friendship, and in her maturation as a critically thinking woman. Her recollections are more granite than flowery, and while this is a book often tender in its descriptions, it is her intellect that is most fiercely etched in these recollections. She visits Jim, a friend who is dying of AIDS, and gives us her memories of his vitality and the uniqueness of his personality. He had created himself as a fully developed individual, a wonderful and unusual human being. And yet here he is sick, withering away. A young person like herself dying, and in that state of dying he is separate from her and everything else in the world that the two of them previously inhabited.We also meet Edna, an elderly woman dying of cancer. "Edna was Jim's parting gift to me. She is an annunciation, a message, very old and very new." While Edna's life is undergoing the same curve towards death as Jim's, and contains its own share of unfairness, Edna inhabits her life with a very different philosophy and has learned different lessons in her difficult life than Jim, who took his youth and good looks and lust for granted, until in the gay men's world of the 1980s in New York, it all ended.Ms. Rose was an Oxford trained philosopher, and strands of that training appear throughout this book as she struggles to understand the world around her. Struggling with dyslexia as a child in no way tempered her intellectual enthusiasm, her voracious thirst for knowledge, but "I had taught myself German...by reading the works of T. W. Adorno" is a tad over the top.So for the first part of the book we see an emotionally awkward, but intellectually sophisticated young woman describe various parts of her life, and in particular her experiences knowing others who died, and in particular their experience of dying.The second part of the book is largely taken up with the author's discovery that as a young, health and athletic person, she is dying of cancer. We are given the facts of the situation as they are learned by the author, and for awhile the book rages with her incredulity and anger. But in time if she doesn't actually accept that she is dying, she understands intellectually and emotionally that this is a fact, and she struggles to make sense of her life, and the intellectual world that has sustained her throughout her life, with the realization of her imminent death.The main attribute of the book is her determination to write an honest examination of these issues, and the gravitas of this assignment is the prevalent mood of the book. There is little levity or humor, and the writing style is rather dour. I suppose I should honor any writer who can continue to engage her habit of philosophical inquiry right to the end, but I found statements such as the following off-putting, and emotionally bizarre. "There is no democracy in any love relation: only mercy. To be at someone's mercy is dialectical damage." Love, mercy, dialectical damage. Really? I am thankful my own life has brought different lessons of love.

Gillian Rose was an extraordinary philosopher who thought and wrote extensively on Hegelian social philosophy, sociology, the Frankfurt School, and a myriad of other discourses. This brief text is her fragmentary memoir, written during the closing period of her struggle with ovarian cancer. Rose, with often voluptuously brilliant and oblique prose, renders her labors: her labor to develop intellectually, to find and sustain love, and finally, to reconcile her mortality with immanent divinity. Although unformed and probably incomplete at time, Love’s Work is a rarely personal account of a philosophical life.

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