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Review

“Since I first came across The Bloody Chamber, I have kept a copy with me wherever I have been living. . . . The things that I needed, when I was beginning to think about writing short stories, were the things that I found in The Bloody Chamber. . . . Reading Carter, each time, [is] electrifying. It [lights] up the readerly brain and all the writerly nerves. . . . What we don’t have, of course, is any more Angela Carter stories. And how I yearn for exactly this.” —Kelly Link, from the Introduction“Her masterpiece . . . Sex isn’t a subtext in The Bloody Chamber, but the text itself. . . . Eroticism hangs heavy in the air here . . . like an expensive, drugging perfume. . . . Carter produced . . . fiction that was lavishly fabulist and infinitely playful, with a crown jeweler’s style, precise but fully colored. . . . Her books are . . . revered by fans of speculative fiction stateside and have influenced writers as diverse as Rick Moody, Sarah Waters, Neil Gaiman, Jeff VanderMeer, Jeanette Winterson and Kelly Link. Salman Rushdie, who became her friend, described her as ‘the first great writer I ever met.’ Yet her legacy has been a slow and stealthy one, invisible to many of the readers who have benefited from it. . . . Most contemporary literary fiction with a touch of magic, from Karen Russell’s to Helen Oyeyemi’s, owes something to Angela Carter’s trail-blazing. . . . If our personal and literary spaces feel more wide open now, she’s one of the ones we have to thank.” —Laura Miller, Salon“A deluxe edition of her masterpiece, a bold collection of short stories tinged with the supernatural . . . just in time for the 75th anniversary of Carter’s birth.” —Entertainment Weekly“The Bloody Chamber is such an important book to me. Angela Carter, for me, is still the one who said: ‘You see these fairy stories, these things that are sitting at the back of the nursery shelves? Actually, each one of them is a loaded gun. Each of them is a bomb. Watch: if you turn it right it will blow up.’ And we all went: ‘Oh my gosh, she’s right—you can blow things up with these!’ ” —Neil Gaiman, The Daily Telegraph“A wonderfully written book, ironical, cerebral, elegant . . . distinguished by bold, inflected language and ornate, indeed often bloody, imagery.” —Joyce Carol Oates, The New York Times Book Review “The tales are retold by Angela Carter with all her supple and intoxicating bravura.” —The New York Review of Books “She was, among other things, a quirky, original, and baroque stylist, a trait especially marked in The Bloody Chamber—her vocabulary a mix of finely tuned phrase, luscious adjective, witty aphorism, and hearty, up-theirs vulgarity.” —Margaret Atwood, The Observer “She writes a prose that lends itself to magnificent set pieces of fastidious sensuality . . . dreams, myths, fairy tales, metamorphoses, the unruly unconscious, epic journeys, and a highly sensual celebration of sexuality in both its most joyous and darkest manifestations.” —Ian McEwan“The Bloody Chamber retains its power because there will never be enough writing this perceptive—or just plain beautiful.” —Flavorwire“The best horror writer of the 20th century you’ve probably never heard of . . . Her most celebrated book is a high gothic collection of short stories called The Bloody Chamber that you should read immediately if the genre holds any appeal for you.” —New York magazine’s Vulture

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About the Author

Angela Carter (1940-1992) wrote nine novels and numerous short stories, as well as nonfiction, radio plays, and the screenplay for Neil Jordan's 1984 movie The Company of Wolves, based on her story of the same name. She won numerous literary awards, traveled and taught widely in the United States, and lived in London.Kelly Link is the author of the story collections Get in Trouble, Stranger Things Happen, and Magic for Beginners. She has won the Nebula and World Fantasy awards and has had stories published in The Best American Short Stories, the Magazine of Fantasy and Science Fiction, and Prize Stories: The O. Henry Awards. Born in Miami, Florida, she now lives in Northampton, Massachusetts.

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Product details

Series: Penguin Classics Deluxe Edition

Paperback: 176 pages

Publisher: Penguin Classics; Reprint edition (May 26, 2015)

Language: English

ISBN-10: 0143107615

ISBN-13: 978-0143107613

Product Dimensions:

5.6 x 0.4 x 8.4 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

31 customer reviews

Amazon Best Sellers Rank:

#23,427 in Books (See Top 100 in Books)

I love the writing of Angela carter. These retelling of fairy tales offers a glimpse of what is concealed. Here is why girls are warned not to walk through the woods. Wolves yes; human potentials to harm, human potential for teeth; it is honest bold, stepped of veneers that cover up truths some do not want exposed, but this is really who we are. Angela Carter's mirror system is dead-on accurate. Everything you did not want to know, but suspected. And in the "Bloody Chamber," Angela Carter is not afraid to tell it with brilliance and charm; it all seems regal. Full of exuberance for the ragged existences necessary for happiness and authentic passion: it bites.

I didn't know a lot going into this book. Had never read anything by Angela Carter before.First off, this writing is SEXY. Second, the audio book version is even SEXIER(the narrators Emilia Fox and Richard Armitage are beautiful choices).These tales are retellings of classic fairytales and it takes them back to the more gothic-y horror feel that they originated with.I originally go this as an audio book and LOVED IT! So then I purchased this 75th Anniversary Edition to keep on my shelf. I reread it as soon as I got it. Her writing is absolutely beautiful.

For years, since I heard of the works of the late Angela Carter, I've wanted to get this book in my hands. Some time ago, I managed to obtain a digital copy of it, and after reading it over and over, I knew I had to buy it.However, because this book is virtually impossible to buy in my country, I had to search it here, and for some reason, the cover arts I saw in other edition weren't my cup of tea. This one, on the other hand, caught my eye as soon as I saw it. The wraparound art is gorgeousm, and I lamented that the book didn't include illustrations for the stories, which are still as enjoyable as when I read them for the first time.On the stories themselves: As many reviewers (and Carter herself) said: these stories are not adaptations of classic fairy tales (from Perrault and the Brothers Grimm with some european folklore, to be exact) but more like clever revisitations of them, written with a rich, sometimes baroque (perhaps too ornamented for some readers) language, where one is transported not just to the tales themselves, but to Carter's world: a realm where young girls become aware of themselves as sexual and self-sufficient beings, where beasts (specially wolves) can be husbands or lovers, where mothers and pets are saviors, and where blood runs like water.Yes, The Bloody Chamber may be considered as feminist fiction, but don't be scared, those of you who fear the F-word: While Carter was a feminist, she was one that didn't take herself seriously to the point of being Politically Correct or pretending to create a thin-veiled pamphlet with The Bloody Chamber; in fact, many of the words and situations in her stories might upset of the most sensitive readers (violent sex, explicit sex, nudity, necrophilia, animal and human escathology, and of course murder), and even those readers who aren't into any wave of feminism may enjoy several of the stories. After all, the works of Carter inspired several famous writers nowadays, such as Neil Gaiman, J.K. Rowling, Salman Rushdie, Kelly Link (who wrote the foreword to this Anniversary Edition) among many others.There is one negative detail I must mention for those who want to buy this edition: When mine arrived, the edges of some of the pages weren't smooth but with a rough texture, like from a pulp edition (Mind you, the pages themselves were okay, the printed words looked in good conditions, the diagramation was in order, and none of them was torn). So, if you are fastidious with details like these when you order a book, you may want to think twice before buying it online, and going to a bookstore and checking the pages yourself instead.Other than that, The Bloody Chamber is the best and most known of Angela Carter's work on fiction, so if you like fantasy stories with the dark edge that characterized old fairytales, you can it give it a try.

Angela Carter died far too soon, at the age of 55, but she left behind this astonishing collection of tales (her choice of words) inspired by a lifelong love of fairy and folktales, first heard from her Scottish grandmother. Carter's artistry dazzles, delights, and disturbs; she brings to the surface the latent erotic content of many traditional fairytales and subverts their didactic messages. (For example, the tale of Bluebeard on which Carter's title story is based, was intended to teach young woman the dangers of "female curiosity," while apparently unconcerned with the need to comment on the dangers of "male homicidal impulses.") But have no fear: Carter never grinds her axes--her wonderful stories are meant first of all to enthrall and to entertain in the best sense of that word. It's the 75th anniversary of her birth and Penguin has come out with a new commemorative edition of this unforgettable collection of short fiction: no better time to become acquainted with one of the greatest fabulists who ever lived--I only wish she could have gone on writing for decades longer.

The first piece I have ever written by Angela Carter. It was required reading for a course on Gender Studies in Text. I really loved her fairy tale twists. They are dark and have feminist undertones. Not for younger kids though, but otherwise excellent reads.

Although adult reworkings of fairy tales are a dime a dozen today, Carter’s collection which helped launch the sub genre is well worth the read. I researched the originals and found that for many the horrific touch was more a restoration than alteration... many of our most beloved and seemingly innocent fairy tales have darker roots. Sex and death are at times at variance and at other times in collusion, and female agency saves the day in a number of the stories... no trembling distressed damsels here! On top of all this, Carter’s prose is beautiful, loaded with stunning imagery.

A bit grisly at times but appropriate for what genre it is. Creeped me out. Kept the mysteries coming. Decent read.

This spin on fairy tales is amazing. Really gets the reader thinking about what else could have happened.

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